Caifanes Electrifies National Auditorium With Timeless Anthems

Mexico City — The mystique and sonic power of Caifanes continue to captivate audiences, selling out venues and sparking fervor, as witnessed by the ten thousand fans who packed the National Auditorium on Friday night. The band, led by Saúl Hernández, drew followers of all ages and generations, who mingled joyfully in the venue’s surroundings and lobby before the concert.

Once the ritual-like performance began inside the auditorium, the collective catharsis was immense, filled with jubilation. After 9 p.m., Alfonso André took his place behind the drums, igniting a wave of cheers. The magic of sound and lyrics unfolded as Diego Herrera joined on keyboards, Marco Rentería on bass, Rodrigo Baills on guitar, and Saúl Hernández, the band’s charismatic frontman, launched into Hasta Morir. A voice from the crowd echoed through the space: “Thank you, Caifanes!”

A Night of Anthems and Advocacy

The band followed with La Célula Que Explota, prompting the audience to rise from their seats in a massive singalong, culminating in a roaring ovation. Without pause, they delivered Sombras en Tiempos Perdidos, again met with thunderous applause.

Before performing Ayer Me Dijo un Ave, Hernández addressed the crowd: “Playing in our city is incredible. We dedicate this song to all children. We need to create spaces where they can grow freely—in thought and movement—without fear. The country is upside down; it’s tough. We must stand united in our homes, neighborhoods, and schools because political parties don’t care. This song is for ensuring no one harms you.”

The setlist continued with Amanece, Detrás de Ti, and Miedo. During Inés, one of their newer tracks, Hernández highlighted the alarming suicide rates among young people, urging support and solidarity: “They shouldn’t feel alone or abandoned in a world where they feel they don’t belong. Let’s get them outside—walk, go to the cinema, away from social media. You are our guide, light, and salvation.”

Defending Cultural Spaces

Other recent songs like Solo Eres Tú and Y Caíste resonated alongside classics such as Viento, El Animal, Los Dioses Ocultos, Nubes, Mátenme Porque Me Muero, Perdí Mi Ojo de Venado, and Afuera. During the latter, Hernández invited a young fan onstage, who confidently took the microphone and sang alongside his rock idol.

As the night neared its end, Hernández spoke out against the closure of cultural venues, specifically referencing the shuttering of Foro Alicia earlier that evening: “It doesn’t matter who did it—they came in and shut it down. They can’t suppress freedom of expression. To whoever closed it: screw them!” The band then launched into Antes de Que Nos Olviden and a Caifanes-style rendition of Pachuco, originally popularized by Maldita Vecindad y los Hijos del Quinto Patio.

A Tour of Sold-Out Shows

Following their standout performance at the 25th edition of the Vive Latino Festival, Caifanes has maintained an uninterrupted tour, selling out venues across Mexico and abroad. After two packed shows at the Palacio de los Deportes on December 5 and 6, they added a third date for December 7, announced as a 360-degree concert experience.

Their second sold-out performance at the National Auditorium took place on Saturday, May 31, promising another night of intense musical connection with their devoted fanbase.